aj_crawley | (no subject)

(no subject)

It's Christmas morning, and the darkness provided by the blinds isn't quite complete. It's dark outside, too, but the faint orange glow of streetlights bounces off the thin rime of not-quite-snow crusting over London and filters in around the edges of Crowley's bedroom window. It's not completely quiet, either - every so often a brighter flare of light outside heralds the low swish of car tyres as one poor unfortunate or another makes their way to wherever it is they have to be. There aren't many though; it's still very early.

And after all, it's Christmas morning.

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It doesn't take an expert to see that Crowley doesn't believe him, and Aziraphael knows those expressions very, very well.

"I'm not lying to you," he nearly yells, so violently that he almost upsets the pile in his hands. He looks at it but clearly doesn't focus on it; it's unlikely that he's even processed what it is.

"And you could have said something before now," he adds bitterly.

There's a moment, just the barest flash of a moment, where Crowley's hands twitch upwards, ready to catch the pile - but it steadies itself (or Aziraphael steadies it) before he needs to.

"Right," he snarls, "because that went sso well the first time I tried it."

"The time when you stopped talking, you mean? Just now, I noticed, it went very smoothly; those insults just rolled off the tongue," he spits.

"And you dared me to say that again, but there's a problem there: I didn't insult you with that the first time."

"No?" he fires back, eyes blazing. "You can hardly blame me for thinking so, since that'ss exactly what it sounded like. And let's be fair, you had a bit of a theme going."

His hands are nearly claws by his sides, bones ridging between wrist and fingers and casting prison-bar shadows across the smooth, translucent skin.

"What do you want me to say? That I was - embarrassed? Because that's just me all over, isn't it, sitting down for a long talk about my feelings. I didn't make a big deal about it, because I didn't want to bugger today up for you. In case it hasn't hammered its way through your thick fucking skull, that's ssort of been my thing this year."

"This year."

Behind his eyes, burning; deep in his chest, compression; under the fury, anguish. Anger doesn't do much to keep it all at bay.

"There was no theme. I don't care what it sounded like; I'm telling you now, that wasn't what I meant. As for today - I think we can mark this Christmas off as a lost cause, no big deal, as you say. There's always next year."

Anger doesn't do much to keep it all at bay. But it's better than nothing.

"Yeah, that'll be a riot. What d'you reckon, a little light name-calling before breakfast, and then target-practice with the cutlery until dinner? Good thing you've got a year to practice your aim."

For a split second, he can almost hear himself prattle on defensively about the way his aim is fine, thank you very much. And just as quickly - it's gone.

"Oh, I can hardly wait. It's been a real success, the way you didn't want to destroy this day for me."

"Don't you dare put this on me," Crowley shouts. And he is shouting now, properly shouting, loud enough for his downstairs neighbour to hear, and any guests she has - loud enough for everyone to hear and to give each other knowing little looks; someone's having a traditional English Christmas. "Don't you dare blame me for having limits, after everything I've - how dare you."

"Putting it on you?" He laughs, sort of, a sound that carries no humour whatsoever.

"You've no idea just how true that is."

And yet, not at all. The room seems less than steady now, but he's hardly surprised. The perspective is all wrong; it feels as though he's shrunk another inch.

Crowley stops.

Just stops, like he's been slapped in the face.

He hadn't thought Aziraphael would say it out loud.

He hadn't thought Aziraphael would say it quite like that.

(Though, when all is said and done, it's not as if he isn't right.)

He just thought -

He looks away, looks down. The ridiculous bundle is still clutched to his chest like it's the only thing tying him to the here and now.

"It's not what you think," he says in a tiny voice.

That had come out wrong. Like so many other things today.

"Out," Crowley says.

His whole face feels numb.

Not with a bang, but a whimper.

He backs toward the door even as he protests.

"Crowley. I didn't mean--"

"Get out of my flat. Get out," he shrieks, "of my flat."

"All right," he says, and suddenly he's shaking so hard that something in the bundle of clothes clutched to his chest is rattling faintly.

He backs further and fumbles for the doorknob, manages somehow to pull it open, backs into the hallway.

"It's not what you think," he says again, barely audible. That burning sensation that he felt behind his eyes is on the verge of spilling over.

"When was the last time you knew what I thought."

He's at the door now, though he doesn't remember covering the space in between. A breath shudders in through his teeth, and his fingers close whitely around the doorknob.

"You're reading Austen, because you went on a genre kick after watching Cranford. I buy the milk, because you're a liar, and sometimes you do take it in your tea. Last time we ate out, we went to Scott's - it was after the baseball game, and we shared a platter of oysters. You cracked up this morning, in the kitchen; Barber of Seville. Merry fucking Christmas, angel. Enjoy your book."

The door slams shut hard enough that the floor vibrates.
(so I love you because I know no other way)

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