aj_crawley (
aj_crawley) wrote2010-01-10 04:20 pm
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It's Christmas morning, and the darkness provided by the blinds isn't quite complete. It's dark outside, too, but the faint orange glow of streetlights bounces off the thin rime of not-quite-snow crusting over London and filters in around the edges of Crowley's bedroom window. It's not completely quiet, either - every so often a brighter flare of light outside heralds the low swish of car tyres as one poor unfortunate or another makes their way to wherever it is they have to be. There aren't many though; it's still very early.
And after all, it's Christmas morning.
And after all, it's Christmas morning.
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"Listen to yourself."
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"What? You thought I couldn't care less?"
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"How?"
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"What book am I reading?"
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"Something I loaned you from the shop, no doubt," he says at last.
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"How much milk is in the fridge?"
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"I don't know."
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"Where did we eat, last time we went out?"
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"It's been a while since we did," he says quietly.
"It was probably that place near the shop that's so quick. But I really couldn't say for certain."
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(why will the whole of love come on me suddenly)
He tilts his head to the side, which almost makes his smile level, and says:
(when I am sad and feel you are far away?)
"When did you last see me laugh? I mean - really laugh; crack up."
(the book fell that always closed at twilight
and my blue sweater rolled like a hurt dog at my feet)
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"I don't know, Crowley. It's been a long time."
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The smile is gone - unpleasantly quickly, leaving something much more difficult to look at in its place.
"You don't get to do this."
A catch of breath; almost a laugh.
(Not a laugh.)
"Whatever's been," his hand jerks through the air, brief and brittle, "going on, that's one thing. I get it. I'm trying. But this is, this is just - "
For a moment, the very tips of his fingers brush against his chest, colourless against the shabby blue wool.
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"Whatever's been going on - ?" he says, mouth dry and voice approaching a squeak. "You - you think something's going on?"
He watches as Crowley's fingers (supposedly safe) brush against his chest, near the heart he isn't technically supposed to have that Aziraphael can hear and feel when they're close enough. Quiet enough. He wants to insist that it's all in Crowley's mind, smooth it over and excuse himself from culpability. But of course, they've gone far beyond that.
"I can't-- that is, I don't--" he stammers.
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(you occupy everything)
Crowley's voice has dropped back into a hiss, the harsh whip and crack of sibilants and consonants ruthlessly slicing any other sort of unevenness from his voice.
(the book fell that always closed at twilight)
"I think I've been doing pretty well at Not Minding. And I'm going to keep doing well, because. I mean, I would literally - "
(so I love you because I know no other way)
The demon's hands come up again, white and sort of - cupped, almost, in front of the lumpish yellow 'A' on his chest. It's horrible.
(and my blue sweater rolled like a hurt dog at my feet)
Then it's gone.
(in this part of the story I am the one who - )
"But you have some fucking nerve, angel. You don't get to do this."
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"I - I can explain," he stammers, soft and so very inadequate.
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He looks - he looks ridiculous, rumpled and tired and still pyjama-clad, voice rising in volume, and almost incandescent with rage.
"You don't get to give me Christmas day like some kind of - some kind of holiday bonus. You don't get to go on about how you'd love to have me along on some fucking mockery of a holiday where we jet off for a week and where you still get to coo about how lovely everything is, and feel great about how fulfilling our relationship is, and I have to pretend I really do have you to myself for a few days, and then fly back to this, this - "
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"It's not a bonus, it's-- I wanted-- I thought--" Everything he starts to say begins with 'I' and he'd rather just - not. He tries again.
"I know very well that it isn't your fault," he says, quickly before his treacherous tongue can tangle the words in his mouth. "I've been--"
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"Somewhere else, even when you have been here? I know. And that one - yeah, that one I am holding against you."
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He stops backing and, ridiculous as it is to make a stand in a dressing gown, he does his best.
"One depends on the other, I think," he adds, "so you may as well hold it all against me."
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Now that Crowley's mentioned it, of course, the disconnect is obvious.
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"Just goes to show."
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"Goes to show what?"
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He's stopped several paces from Aziraphael, but there's - there isn't anything between them, now. Distantly, Crowley wonders whether he regrets that.
"I'd take it as a symptom."
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